<\/a><\/p>\n \n <\/div>\n <\/div>\n <\/div>\n Image from my latest book: <\/div>\n <\/div>\n <\/div>\n I always make a miniature book with all my drawings as I want to see the flow of the story and look for inconsistencies in the visual storytelling.<\/p><\/div>\n The next step is to prepare my boards with a surface that will receive the carbon and this is how I transfer my sketches from tracing tissue to the wooden boards.<\/p><\/div>\n
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\nI’ve learned it is the most direct route to the emotions of children and families
\nwho turn the pages of my books.
\nI live and work in two places: an industrial loft in downtown San Diego and in the 16th century colonial town of San Miguel de Allende in the heart of Mexico. My process begins by wandering the urban landscape of the city or winding cobblestone streets of my native country with a camera. <\/div>\n
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The Cazuela that
the Farm Maiden Stirred by
Samantha Vamos.<\/p>\n
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